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-steve noble north sea night -paul stapleton sound sculpture -andrew-wass dance badland at cafe oto 4th april 2011 solo -nicola hein -julie myers badland at folly bridge inn, oxford, uk, 4th april 2011 trio, musicians union hall, san francisco, usa releases all recordings available for €12, + €3 postage, please send a message in the field below and we will contact you with all necessary information. (except 'edith's problem') “north sea night” , 2019 , baritone saxophone steve noble, drums north sea night 32'28" secret sharer 04'52" mass 09'37" “shug monkey” , 2018 , alto and baritone saxophone nicola l. hein, guitar thoth 05'20" seker 05'29" merman 03'44" ushi-oni 07'34" woplertinger 04'41" sharkdog 09'23" shug monkey 05'01" horseface 06'29" “séance” , 2018 , baritone saxophone philippe lemoine, tenor saxophone channel gurnard luck worm gill night crossing dans(e) le flux hell gill beck medium now séance système tributaire planchette hope river the diviner “new world” by rose kellers roder , 2018 , baritone and alto saxophone willi kellers, drums jan roder, double bass human head cargo now it's dark no joseph that metal smell medicine river witness “edith’s problem” , 2017 deniz peters, piano , saxophones between, movement 1 between, movement 2 hinges resonance, movement 1 shifts resonance, movement 2 parting “the ten thousand things” , 2016 stefan schultze prepared piano baritone, alto saxophone horsepower dead end the ten thousand things magua extinguish the lamps leviathan blues straw dogs slippage unstabled fault-line “the spring trio” , 2015 daniel thompson guitar andrew lisle drums baritone, alto saxophone spring sprang sprung “six high windows” by badland , 2013 steve noble drums simon fell double bass alto saxophone six high windows “fauna” by and paul stapelton (bonsai sound sculpture. boss) , 2013 borealis felt deep zwischenfell shift set vertreiben “sombero galaxy” by and pascal nichols (drums) , 2012 bone artifacts constructor sombrero galaxy a horse breaker and a purple mare “ball tole” by and pascal nichols (drums) , 2010 hand made art work by pascal nichols. limited edition. stromal rote flegeelum giver tole stormal bolar lunm “schmetterling” by , 2011 solo baritone saxophone off world panopticon wolf street south on squirrel ( play ) eel feeler boxhagener winterfelt spielen like tears in rain crater lake schmetterling pike market hinter mir at 14th “procession” by , 2006 ground effect ( play ) 19'44" recorded at jackson lane center, london. still 19'20" recorded at bonnington center, london. wind conditions 18'00" recorded at oklahoma café / gallery, manchester. “the society of the spectacle” by badland , 2005 kittiwake elka society of the spectacle (part 2) nissa ( play ) society of the spectacle (part 1) mia snipe reeds in the western world “axis of cavity” by badland , 2002 axis of cavity arm of the sea groove for deep breath surface for talice the temporal bones birdie the scapula angles spinous process bow, stick and reed “badland” by badland , 1995 1995 sadness (ornette coleman) hyena's finger subsong the hatching muscle come sunday (duke ellington) blue tern scuttle dance sadness (ornette coleman) links solo baritone sax london 2011 https://www.youtube.com/watch?v=hc19bmzgrlo solo alto sax. london 2011 vimeo.com/31647869 badland: rose, noble, fell www.youtube.com/watch?v=vu4nbex9uyk bruce's fingers www.brucesfingers.co.uk european free improviation pages www.efi.group.shef.ac.uk/ emanem www.emanemdisc.com bay area improvisers network www.bayimproviser.com badland: rose, noble, fell www.youtube.com/watch?v=vu4nbex9uyk simon's music soundcloud.com/simon-29-2 contact name email address phone number message website by dorian @ the useful arts organisation is a musician, author and researcher from london, england based in berlin, germany. he performs on baritone and alto saxophones in numerous collaborations and as soloist. he also collaborates beyond music with dancers, visual artists, mixed media, built instruments, site specific performance and more. his research interest is in creative processes. 'this is a rich and rewarding book.' andy hamilton, wire, october 2017 ‘the lived experience of improvisation is a tremendous resource that should be included in every institutional music course syllabus …’ brian jude de lima, journal of radio and audio media, 2018. ‘… makes an important contribution to this growing field of study.’ nick sorensen, the british education research journal, 2018. to purchase please send a message in the contact field in the left column below. download chapter 1 selected written publications rose s.d. (2018) 'when law listens'. critical studies in improvisation. rose s.d. (2017) th e lived experience of improvisation: in music learning and life. bristol, uk/ chicago, us. intellect. rose s.d. mutual composing: practice led research: improvisation in dance and music. in s. quinten s. schroedter (eds.), tanzpraxis in der forschung – tanz als forschungspraxis. bielefeld, germany: transcript (2016). rose s.d & macdonald r.a.r. free improvisation and learning. in l. papageorgi & g. welch (eds.), advanced musical performance: investigations in higher education learning. london, uk: ashgate (2014) rose s.d & macdonald r.a.r. the process of improvisation. n. beech and c. gilmore (eds.), in organising and music: dialogues of organisation and performance. cambridge, uk: cambridge university press. (2014) rose s.d. & macdonald r.a.r. (2012) improvisation as real time composition. in d. collins (ed,). the act of musical composition. (pp.187-214) london, uk: london, uk: ashgate (2012) presentations: presentation ‘the lived experience of improvisation’ and solo baritone saxophone. soundance festival symposium, dock 11, kastanienallee 79, 10435 berlin. 22nd june 2019. presentation: ‘the lived experience of improvisation’ at ‘improvisation as design practice’ conference. hochschule düsseldorf university of applied sciences peter behrens school of arts fachbereich design münsterstr. 156 40476 düsseldorf, germany. 3rd may 2019. baritone saxophone, deniz peters piano. ‘emotion and improvisation’ presentation, performance. european platform for artistic research in music (eparm). concert studio. gheorghe dima music academy, cluj, romania. 28-30 march 2019. performance and panel. ‘improvisation: philosophical re-scriptions'. maschinenhaus der kulturbrauerei, knaackstraße 97, 10435 berlin. 12th, 13th july 2018. research, workshops, recording, concert with adam pultz melbye double bass, paul stapleton bonsai sound sculpture, baritone saxophone. sonic art research centre (sarc), queen’s university, belfast. 13.00 – 14.00. 11th – 17th march 2018 ‘the lived experience of improvisation’. book presentation, performance. exploratorium, mehringdamm 55, berlin. 23 rd november 2017. research presentation and performance: deniz peters piano, baritone saxophone: "relational improvisation and shared voice: artistic research into musical empathy", regarding artistic research forum, norwegian theatre academy, østfold university college, norway 18-20th october 2017. research residency within the ‘emotional improvisation’ research project. university of the arts graz, austria. 11-16 june 2017 presentation: ‘the lived experience of improvisation: in music, learning and life. gesellschaft für tanzforschung (gtf), salzburg. 20 th november at 12.15-1.00 presentation and perfromance: ‘the human capability of improvisation’ 2 nd november 2016. universität du kunst (udk), berlin. hochschulübergreifendes zentrum tanz, uferstudios, uferstr. 8/23. 13357 berlin. 18-19h. research residency within the ‘emotional improvisation’ research project. university of the arts graz, austria. 7-20 march 2016 presentation and performance: ‘mutual composing’ improvisation as human capability in dance and music. andrew wass dance, baritone saxophone. practice as research (conference), jahrestagung der gesellschaft für tanzforschung, medical school hamb

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orynx-improvandsounds.blogspot.co.uk
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  PCODE KA23 9AT

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  NAME Dorian Fraser-Moore

  ORGANIZATION The Useful Arts Ltd.

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  CITY West Kilbride

  PCODE KA23 9AT

  COUNTRY GB

  PHONE +44.1294537240

  EMAIL [email protected]

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  NAME Dorian Fraser-Moore

  ORGANIZATION The Useful Arts Ltd.

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  COUNTRY GB

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  EMAIL [email protected]

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